Cities and suburbs, real and imaginary.

Monday, June 15, 2020

Sonnet #302

Will the birds remember me, when my garden runs to ruin?
The grapevines wild and rambling free, the trees
So wide and beckoning, I will be
Standing in a shadow of a kingdom’s come,

And birds, my friends of fair weather, passing
As wind and rains roll on, my friends who come
They take what they need and then fly on
And I stand at the window, watching them wrestling

For a place to stand among the powerlines

Do they know how much I love them?

Do they know the quiet glow of joy unwind,

With the cardinals’ flash of red and pigeons’ waddling zen,

In some shadow kingdom, the eye of god will be a bird
And it will, indifferent to me, speak a single word.

Sonnet #301

If all the chickens in all the silos were set free
some survive a little longer and walk in moonlight 
and daylight and dappled forest shade and fight
down into the roots and live, we would see
More chickens than we could ever devour
More birds than any man could ever take
Of course there would be damage and break
Where niches in the web of life would sour
But think, set free, loose and limber and running
where all the corners of the meadows hold them
How these birds would swell in numbers, sunning
on rocks, stunning in bright feathers, hunting, feeding them
who hunt, an abundance beyond the work of man
Two birds in the bush is worth more than one in the hand.

Sonnet #300



Once I stood in a market square before the town 
Was ready to wake up, and the cathedral rang her bells
I stopped and listened and waited for the chime and swell
To decay, a gorgeous song, a ritual of sound
That marks a city holy; and when it died away
The pigeons cooed again, returned to rafters,
The windows opened up and all that rattled plaster
of the old city shook loose the night's dust and gray
If the bells ring, and no one is there to hear it...?
If there is someone there, who remembers the bells,
But no bells remain, how will the echo bear it?
To stand in the quiet morning, once, to know, to tell.
I swear upon the empty rooms, all music echoes still
The winds of time will carry all sweet whispers down to still

Sonnet #299

I mow the grass, and grass regrows, and grows
We dust the furniture of course, we must
And sweep, But next week there’ll be more dust
And I plucked the rose and placed in vase but the rose

Will wilt the week away, and die as plain
To be replaced again by next week’s rose
And all the furnishings will wear in my repose
Where my body presses down and causes strain

We wear down, we wear down, we wear all the way
In factories workers walk into fire dressed like spacemen
At home they shower off the sweat and hear radios play
The music plays a song and plays that song again
That brilliant singer travels to another town to play
And every week we raise a god from death in bread and wine

Sonnet #298

Heads you win - Tails I lose, so all that's left
Is to hope the coin lands on its side
And sticks there, a lucky break, my ride
to greatness counts on this, no theft
Just legal limbo in the corners of the rules
Where you and I can tie a little, and I
can take a little bit of what you hide
And the rules you write for me, my tools
Otherwise must belong to you and work
To make you richer, but I pay to toss the coin
My entry fee is paid, and I will never shirk
My duties, but I'm feeling lucky, and I think I'll join
Your club if this coin lands just so, I smirk
before you throw it up, because I believe in coins
When I'm one of you, I'll call the unlucky ones jerks

Sonnet #297

The only place the cardinal hides in red
Is when the pomegranate blooms have come in
spring
Those huge dresses burning red and cardinal’s flapping wings

For all the year, he waited for a safe spot screaming red

And for this brief moment in the tree, he has hid,

For all the year and turnings, I have waited for this day

When I could hide inside a the brightness forgotten, unseen, I say

What truth I need, and it drowns in other words and other ways

For this brief moment, I am no one worth to know

A voice among the wilderness, where I, in quiet, pray

To keep these flowers I have gathered here, and what seeds I sow

And when these bright flowers turn to fruit, my hiding will decay

And all my songs will call the wicked hunters to my home

Sonnet #296

If someone is going to have a monster, then
I have decided I should have it, first. Why not?
It will follow where I lead it, and menace and cause hurt
To them. It will be my monster. Mine. Before they can.

If we must live in a world of monsters, which we do
And I must live in a world afraid of all of you
And who will get the first monster to do for them and do 
It's best if I have the monster. I'm responsible, you

Will only use a monster to hurt me
So I will hurt you first, this pain I have
This fear, I give it all. The monster howls for me
I feed the monster, pet it, name it, I am brave
The monster will always respect the leash and me

It will bend to me - I'm sure it will - and never turn to leave

Sonnet #295

The trail I ran went under highways, so
I heard the echo of the cars and saw the pillars there
So like cathedrals, these hidden palaces, bare
Of all but holiest of things, stripped back to
Just the drainage water, the algae in the water
The desiccated wrecks of trash and clothes and blown in things
That echo back to life’s use, ghostly things
For ghostly places, where lost priests wander
The stripped back essence of all holy art
I am here, desperately here, this spray paint spectacle
The way the columns hold the sky apart
Where the muscles of the world, the ventricles
Flow so fast, and in those shadows hearts

Echo, lost souls, lost souls, angels of drained potentials

Sonnet #294

The mantis takes the color of flowers,
the shape of leaves and thorn, the hunter
always looks alike to what has power
to seduce the victim close, it's hard to fear
such beauty, the smell in the air of finest 
nectar, the promise of food or drink, all clear;

There are jobs where people do their best
That people ought not to do, folks wind down
Working and falling behind and working and behind
The basilisk waits for us in the million wires grown
where we allow it to grow, the coiling and unwind
in shadow places, in the edges of the law and the known

Approach the flower at your own peril, be wary, be brave

The snapping jaws will close. For retirement, save.

Sonnet #293

If I could explain this slowly to every man and woman
with money, who does not wish to pay for the poor:
You Will Pay More to Hold Them Down If You Do Not Pay For
Giving Them Enough. You will build yourselves golden prisons 
hire armed guards. You'll pay to build a world of panopticons
Because none of them can be trusted if they do not have enough
The cost of policing, surveillance, enforcement, laws so tough
that decent folk fear it, it has a cost in dollars, squatting on
your golden horde is very high. Beyond that cost, you cannot walk
down streets in peace unarmed, you will never know the city
As a place of peace, only as a place where people talk
And power is your only word to share, build your worst kind of pretty
Your empty-eyed children will tremble at your funerary wakes

And the fear you feel could fade with just that little mercy and pity, 

Sonnet #292

The birds have no reason to sing, I think -
The sun rises, song rises, when foraging
Is more important than music, storaging
The extra for a leaner night, and I think
The song reveals the birds to hawks, snakes
To all the hunters of the morning, who hear
Who listen close and move, there’s no fear
Of death when singing, the shimmy and shake
Of their dance among the branches is not
Meant for love, just yet, and even if it was
They sing in all seasons, these birds, not 
Just when spring arrives - there is no because
To songbirds, we are wrong to make their thoughts
With measures meant for music meant for us

When all the songs of morning are sung for no one

Sonnet #291

Things feel wrong all the time, like we
Walked down a road and got lost there
We pretend we are not lost, we see
The way things are like this, the most

We do about this is we say to cowboy up
To strap your big person pants on and work
Until you can’t even think about how we struck
A bargain to begin with that began with so much hurt

I am waiting for my son to wake alone
I can hear the wind blowing outside;
I remember how the parasitic wasps’ bones
Are built upon the agony of a moth child,

When the fig tree beckons, I savor wasps’ work
The tree envelopes, too, becomes the shape it hurts.

Sonnet #290

At evening twilight, walking, I must wonder how 
much of all the grass I see is living, how much a ghost
We do not seek the ghosts of tiny things, no spectral host
Made up of mayflies, tree stumps, blades of grass, flow
of ancient rivers dwindling underground, but the memory
of cities, the echo of that energy, rises greater than man
from space, we see the oldest roads in desert sands 
We see the outline of the walls of other centuries
empires lost to stories, I question whether houses
of all I see, if they have not more than this burned down
And what I see is an illusion of a place, where ghost houses
stand, ghost cities hold a shape in time, and remember how
these things used to be: All the residents are ghosts, all espoused
of their vast kingdoms come from will to remain - illusions, proud

Sonnet #289


There is a time for everything under the moon
A time to toss, a time to turn, a time to think of waking
A time to try water, hot tea, hot milk, to ease the aching
A time to give up on sleep and leave the bedroom

What will I do with this wild and precious darkness?
There's no one here but me. This is my secret place
A garden in darkness, the toad songs and cats' chase
The blowing spring winds carry lost things, in starkness,

There is a season for lost dreams, I hunt them in shadow
Among the shadows, I will find my peace without rest
In watching my weary waking world and dream to know
What darkness called me here to see, what little, what left?
There is a time for everything under the moon, I go
To walk alone along the roadside. Do not follow. This is best.